The Magical World of Strega Nona – Tomie dePaola

Image Credit: Tomie dePaola on Amazon Illustration from The Magical World of Strega Nona Image Credit: Tomie dePaola on Amazon Illustration from The Magical World of Strega Nona Image Credit: Tomie dePaola on Amazon Illustration from The Magical World of Strega Nona Letter  from Tomie dePaola “Everyone always wants to know just how Strega Nona…

Strega Nona Picture Book Series by Tomie dePaola – A Chronoligcal List with Dates of Publication

Strega Nona Series Strega Nona (1975) Big Anthony and the Magic Ring (1979) Strega Nona’s Magic Lessons (1982) Merry Christmas, Strega Nona (1986) Strega Nona Meets Her Match (1993) Strega Nona—Her Story (1996) Big Anthony—His Story (1998) Strega Nona Takes a Vacation (2000) Brava, Strega Nona!: A Heartwarming Pop-Up Book (2008) Strega Nona’s Harvest (2009) Strega Nona’s Gift (2011) Strega Nona Does It Again (2013) Strega Nona…

Tuck Everlasting – Chapter 5 – Winnie’s First Venture into the Wood – Read to Learn about Mankind’s Connection to Trees, Nature Writing, Description, and Creating Characters – Jesse Tuck

Chapter 5  takes place the morning after Winnie, her grandmother, and the man in the yellow suit heard the twinkling sound coming from the Wood. “Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence.” Babbitt, Tuck, pg. 22 Winnie…

Tuck Everlasting Chapter 4 – A Brush with Darkness – Read to Learn to Write with Literary Themes – More Character Development & The Use of Ambiguity in Writing – Celebrating the Moon

Chapter 4 of Tuck Everlasting deals with the literary theme of Darkness Versus Light. Not surprisingly, this chapter takes place during the Evening — the Dark Time of Day, but right away, we realize that Winnie is catching fireflies–an actvity that introduces light into the darkness. She is not a dark character. Like a firefly…

Tuck Everlasting Chapter 3 – A Lesson in “Showing” and Not “Telling”

. In Chapter 3 of Tuck Ever lasting, Natalie Babbitt teaches potential writers a lesson about “Showing” and not “Telling,” as we meet  Winifred Foster. Babbitt doesn’t “Tell” us much about WInifred in this chapter. Rather, we are able to glean an unerstanding of who she is [or“See” her] by overhearing her conversation with a…